Arts-Based Approaches
and their Contribution to CBPR
“ABR practices have
emerged out of the natural affinity between research practice and artistic
practice, both of which can be viewed as crafts.”- Patricia Leavy
Many of us have heard about community-based participatory
research (CBPR), whether it was in a classroom, a nonprofit board meeting, or
an evaluation research team. However, we may not be as familiar with arts-based
research or its relevance to CBPR. For this reason, we will be exploring
arts-based research and its contribution to CBPR.
CBPR is oriented towards promoting agency and participation
within the community and dismantling those ‘active researcher-passive
participant’ power relations that have a long history in research. The goal is
to build capacity for a more equitable experience when initiating and carrying
out research in communities.1
This approach to research is, in many ways, revolutionary.
It stemmed from two historical roots: The northern tradition and the southern
tradition1. The northern tradition has influenced our value in
collaborating to solve problems and altering power dynamics. The southern
tradition, linked to Latin America, Asia, and Africa, began as an integration
of liberation theory and practice.1 This paradigm emphasized an
emancipatory approach to the social science2, and was greatly
influenced by challenging the positivist approach to research and the
domination of the people by the Colonizers; this
orientation was championed by Paolo Freier.1
These two paradigms have influenced the way we currently
think about CBPR. There are four major elements to CBPR: participation, the
co-production of knowledge and control, praxis and equitable distribution of
power.1 Community members are actively involved in the research
process and are considered co-researchers
who share ownership over the creation, implementation, and dissemination of the
study.1 CBPR is a framework that fits well with our goals and
practice as community psychologists and contributes to our intention of understanding
the social context of individuals within their communities.4 The Agency for Healthcare Research and
Quality have developed criteria to evaluate the participatory qualities of
research projects, which can be found here.
These aspects may be helpful to keep in mind when developing CBPR studies.9
Similar to CBPR, arts-based research (ABR) provides a unique
and transformative set of methodologies that draw on various art modalities to
address social issues.6,7 This approach uses art forms such as
literary arts, music, dance, drama, visual art, film and so on.6,7
It has served as a medium through which researchers and communities can
identify or raise consciousness about social issues, such as poverty,
sex-trafficking, or homelessness.6
The work of Dr. Izumi Sakamoto and her colleagues provides a powerful
example of what arts-based CBPR looks like. Their Coming Together project documented the experience of homeless women
and transwomen in Toronto. In using staged photography (an art form that
combines photography, theatre, dance, and painting), women expressed their
experiences with social support, trauma, homelessness, and discrimination based
on gender or transphobia. The researchers and advisory board (consisting of
women who had experienced homelessness) held public presentations showcasing
the work, and disseminated the findings to local policy makers and social
service agencies.8
In arts-based research, we can definitely see how the core
concepts of CBPR emerge. ABR is, in fact, action oriented and participatory.6
ABR is a creative and powerful tool that can be used to create compelling,
contextual accounts of a community’s experience.6 When we look at
the history of participatory approaches in community psychology we see that it
has been an important tool for engaging communities and promoting empowerment.3,4,5
As arts-based CBPR continues to expand, we hope to see a stronger presence in
community psychology research and practice.
In the coming posts we will explore different methods
embedded in ABR/CBPR, and would love comments on people’s thoughts or
experiences of these approaches!
This post
was written by Katherine Cloutier from Michigan State University, and Kyrah
Brown from Wichita State University.
1. Wallerstein,
N., & Duran, B. (2003). The conceptual, historical, and practice roots of
community based participatory research and related participatory traditions. In
M. Minkler & N. Wallerstein (Eds.), Community-based participatory
research for health (pp. 27-52). San Francisco: Jossey-Bass.
2. Lykes, M. B.,
& Mallona, A. (2008). Towards transformational liberation: Participatory
and action research and praxis. In P. Reason & H. Bradbury (Eds.), Handbook
of action research (pp. 106-120). London: Sage Publications.
3. Kelly, J. G.
(1971). Qualities for the community psychologist. American Psychologist, 26,
897-903.
4. Kelly, J. G.
(2003). Science and community psychology: Social norms for pluralistic inquiry.
American Journal of Community Psychology, 31(3/4), 213-217.
5. Rappaport, J.
(1977). Community psychology: Values, research, and action New York:
Holt, Rinehart, & Winston.
6. Leavy, P.
(2009). Method meets art: Arts-based research practice. New York: The
Guilford Press.
7.
Finley, S. (2008). Arts-based research. In J. G. Knowles & A. L. Cole
(Eds.), Handbook of the arts in
qualitative research (pp. 71-82). Thousand Oaks, CA: Sage.
8.
Sakamoto, I., Ricciardi, J., Plyler, J., & Wood, N. (2007). Coming
together: Homeless women, housing and social support. Toronto: Centre for
Applied Social Research, Faculty of Social Work, University of Toronto.
9.
Agency for Healthcare Research and Quality. (2004). Community-based participatory
research: Assessing the evidence. Rockville: U.S. Department of Health and
Human Services: Rockville, MD.